For the last week, I’ve been writing about Beacon City 3, a setting for Spencer Campbell’s excellent Dusk RPG. Dusk is a minimal rule, minimal prep, RPG about a world where the Sun has gone out and the things in the dark have come for the people who are left. It’s a lovely, clean system that does a
Beacon City 3-Six Months On The SunRoad
Every day this week I’m writing about Beacon City 3, a setting for Spencer Campbell’s excellent Dusk RPG. Dusk is a minimal rule, minimal prep, RPG about a world where the Sun has gone out and the things in the dark have come for the people who are left. It’s a lovely, clean system that does a lot
Beacon City 3-The Eastern Sun Road
Every day this week I’m writing about Beacon City 3, a setting for Spencer Campbell’s excellent Dusk RPG. Dusk is a minimal rule, minimal prep, RPG about a world where the Sun has gone out and the things in the dark have come for the people who are left. It’s a lovely, clean system that does a lot
I’ve been having great fun with Facility23 as a daily writing challenge and as we start to head to the end of the first month, now’s a good time to give you an idea of the setting. I’m writing it for After the War, the game my buddy Jason Pitre and co-created because it’s a
We’re at the top of week three of Facility23 and it’s going really well. Working with The Story Engine cards is massive fun and the setting is coming together really well. It’s so much fun in fact, I did one draw too many last week. Instead of ignoring it, I decided to do something different.
THE STORY ENGINE: WETCLIFF, ASHTON HOUNDS AND JONJA LOPOL
Horror is a good portion of my day job. As the host of PseudoPod, one of the first original genre fiction podcasts, every week my job is simple; get on stage, introduce a nightmare and then once its done talk about why and how it works. Its a little like Tony Stark’s amazing holographic work
After The War: Hope and Horror
