Sunday Moment of Zen: Vanora’s Song

The Antoine Fuqua directed version of King Arthur is 10 years old. On release it was gutted, the closing battle so badly censored that it’s literally the same footage re-cut and re-used twice. It was also, at the time, eviscerated critically, because that’s what the industry leaders in film criticism often do; scrabble to be the first to be as creatively unpleasant to a movie that doesn’t fit their definition of what constitutes good as fast as humanly possible.

Then, six months later, when they’ve got over themselves and it’s out on DVD, critically re-evaluate it.

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What I Did In February 2013

The first thing I did in February 2013? Draft this post so I don’t spend three hours at the end of the month building the thing. Usual rules apply, names and titles are usually clickable and the magic word ‘here’ will transport you to my wordspace. Or something. Anyway, first off, this happened!

So, a couple of weeks ago, Damien Walter put this piece up about Artisan authors, and how it’s a much more attractive, freeing way to get published than going through normal publishing houses. This pissed me off. Quite a lot at the time because I was having a lousy weekend. Instead of letting it fester, I got in touch with The Guardian, explained the problems I had with the piece and the stuff I felt Damien had missed and they, to my rank, slack jawed amazement, gave me a slot on the blog. It was huge fun and Damien, who remains a controversial figure in a lot of authorial circles was incredibly classy about me showing up on his patch and telling people, in a roundabout way, he was wrong. Or rather that there was a third way aside from the two he’d discussed…Regardless, it’s a piece I’m really proud of and it’s here.


-Controversy tango once again! Despite the press’ best efforts to convince the world that Judge Dredd would be tripping through the field singing tiptoe through the tulips whilst wearing a pink tutu and kissing boys, ‘Closet’ turns out to be a fantastically smart, very sweet story that reminded me, yet again, that I enjoy Judge Dredd far more when it’s about people rather than ‘LOOK! IT’S A THINLY VEILED POP CULTURE SATIRE! WE JUST KILLED!’ like it was for the ENTIRE 1990s. I review prog 1817 in its entirety here and my colleague Mr Steven Ellis has interesting points to make about the way the story was reported here.

-I love science, but I fear math(s), and as a result I tend to go a bit Gir when science goes past a certain ceiling of complexity for me. I was therefore utterly delighted when Ben Tippett, who is an actual real genius Doctor and everything, asked me to be a guest on the Titanium Physicists podcast. Every episode, the show has a guest on, who asks questions and a rotating cast of scientists answer these questions. In a way which frequently involves alcohol, often involves dirty jokes and in my case involved Arnold Schwarzenegger hurling Danny DeVito into a black hole to demonstrate time dilation. It was massive fun, Ben and his team do great work and I was delighted to blog about them here.

Mitch Benn is one of my comedy heroes. One of the best musical comedians working today, he’s an essential part of The Now Show, a massive Doctor Who fan and is working on producing an entire album, from a standing start, in 24 hours, for Red Nose Day. I blogged about his plans here.

-In December, Merlin was wound up after a five year run. Two weeks ago as I write this, Being Human followed suit. The manner of both announcements was odd, and their close proximity triggered alarm bells, or seemed like it should..I blogged about pareidolia, the human tendency to see patterns where there aren’t any, and what it might mean for Doctor Who‘s oddly small scale 50th Anniversary year, here.

Fearless Defenders, the latest new title in Marvel’s Marvel Now! relaunch was released early in the month. It’s huge fun, teaming street level detective and martial artist Misty Knight with Valkyrie, the last Shield Maiden of Asgard and Doctor Riggs, a really enthusiastic archaeologist. A full on action movie of a book (The first issue features Viking Zombies. VIKING. ZOMBIES.) I reviewed it here.

-I also talked to Fearless Defenders writer Cullen Bunn about the book, his acclaimed supernatural western Sixth Gun and it’s upcoming TV pilot. You can find that interview here.

-Aaron Murphy is one of the best, most talented indie comic creators working today. I took a look at Aaron’s work and the life of the indie creator, here.

Zero Hour involves the Rosicrucians frantically hiding a huge object beneath a European cathedral as they race to complete 12 clocks that will be handed to the 12 new disciples who will save the world from Hitler, only to be brutally murdered just as the object beneath the cathedral is moved. Then it’s the present day, in New York, and a conspiracy journalist and his wife find one of the clocks.

Then the opening credits hit.

Zero Hour is not remotely calm, and is already getting savaged critically because, frankly, most of my contemporaries are idiots who have two modes ‘Heartbreaking genius/Sucks’ and wouldn’t know the middle ground if it walked up to them, shook their hand and said ‘Hello, I’m the middle ground.’ I, however, am very familiar with the middle ground and really rather liked Zero Hour. My review of the first episode is here.

Lightfields is the follow up to last year’s surprisingly excellent Marchlands, a done in one season ghost story on ITV. Set in 1944, 1975 and 2012 at the same building, it follows a death, the consequences leading up to it and the terrified ghost it leaves behind. It’s great and my review of the first episode is here.

-Meanwhile, immensely talented writer and artist team Guy Adams and Jimmy Broxton have decided that the best way to bring back the old 1960s adventure newspaper strips is to write and publish a new one and pretend it’s an old one. It’s a very clever idea, complete with Avengers-style kink and fashion and an entire back story for the poor doomed creators. I interviewed them about the project, Goldtiger, which is on KickStarter right now, here.

Achtung!Cthulhu is a fantastic looking new Lovecraftian RPG set during World War II. Speaking as a postmodern nerd, the concept of being able to marry HP Lovecraft’s work with Hellboy‘s past, Indiana Jones, The Mummy franchise and Charles Stross’ The Laundry series has me positively giddy and that’s even before we get to the game itself. The KickStarter is active now, and I talked to Chris Birch, head of publisher Mophidius Games about it and the upcoming Mutant Chronicles relaunch, here.

JR Blackwell is one of my idols, an amazingly talented photographer, writer and game designer amongst many other things. She’s also the Creative Director of Galileo Games, who, with games like Bulldogs!, Kingdom of Nothing and Shelter in Place are pioneering the idea of games with a social conscience which manage to talk about issues without being preachy. I spoke to her about the IndieGoGo campaign for The Lost, the fiction anthology that ties into Kingdom of Nothing, as well as Galileo’s overall plans, here.

We Are Monsters is a fascinating, and deeply nasty looking, horror movie currently being funded on KickStarter. I interviewed John Shackleton, the writer and director, here.


Monkeybrain Comics continue to be one of the smartest, and most diverse digital comics companies out there. I reviewed the first issue of their latest title, High Crimes, a crime comic set on Everest, here.

I have a thing for really good police procedural drama, stemming from an early exposure to the wonderful Homicide: Life on the Street. As a result, I grabbed the chance to review Red Team issue 1, written by Garth Ennis and with art by Greg Cermak, with both hands. The story of a detective unit who decide to kill a suspect and find they’re both good at it, and have a taste for it, it’s the best thing Ennis has done in some time. The review is here.

Amelia Cole and the Unknown World is one of the best titles Monkeybrain Comics put out. It’s smart, fun take on urban fantasy is like Harry Potter if Hermione was the main character crossed with Supernatural and a wicked sense of humor. I talked to writers Adam P Knave and DJ Kirkbride about the end of volume 1 and the plans for volume 2 here.

Hellblazer is dead, long live Hellblazer. Vertigo’s iconic, 300 issue British horror title finished this week and, after talking to fellow Bleeding Cool staffer Adi Tantimedh, I put together a piece about something which may ease the post Hellblazer blues. Pilgrim is a series of radio plays following a man who has lived 800 years, knows every secret the UK holds and wants one thing; to die. It’s a stunning series of plays that’s just started it’s fourth run on Radio 4 as I write this and I walk you through what it is and where to find it here.


Some time ago I jokingly mentioned that Sue Perkins, one half of one of my all time favorite comedy duos (Seriously, Morecambe and Wise, Garrus and Wrex, Mel and Sue, in that order), would make a particularly excellent female 10th Doctor. This was partially because I was watching Great British Bake Off and partially because, being a contrary bastard, the ‘EEEEEEEEEEEWWWWW! GIRLS!’ response that the real ale section of Who fandom had when the idea of a female Doctor was floated really irritated me.  And when the idea was mentioned again on Twitter a few nights ago, I got thinking. And that means stuff tends to happen. So, I wrote an alternate history of the show, as if the Doctor had always been a woman. So, if you want to read about Joyce Grenfell’s turn as the 1st Doctor, how the 4th Doctor and The Good Life are connected and who is currently playing the 11th Doctor, go here.

Oh and this story went CRAZY. The NME picked it up, as did the Sun‘s website, the Mirror‘s website, Digital Spy, io9 and Ghana Nation. I’m still getting it retweeted into my twitter feed from people who I don’t even follow. Which is BRILLIANT. And yes I’m working on a follow up.

-On a more sedate note I prove, using science, and by science I mean words, that Die Hard 5 is actually Mission:Impossible 4.5. See the truth here.


Don’t call it a comeback, as Lionel Lionel Cool J once sung, but I’m back at!

Achtung!Cthulhu is a splendidly adaptable new RPG combining the mythos with the Second World War. I talk about their KickStarter here.

Goldtiger, by the mighty duo of Guy Adams and Jimmy Broxton, is the greatest 1960s newspaper adventure strip that never was. OR IS IT? I talk about this complex, smart, fun project’s KickStarter here.

-Whilst my issues with how DC have been comporting themselves with their creative staff, and several of the choices made, continue to grow, they’re also continuing to put out interesting work. My review of the first issue of Justice League of America is here.

-I was also pointed at a very interesting looking KickStarter campaign for Sorako. Written and drawn by Fujimura Takiyuki, it’s a subtle, slice of life series that’s very comparable to the work of creators like Eddie Campbell and Marc Ellerby. My piece about the campaign is here.

-Speaking, as we were up page, about Hellblazer, my review of that final issue is here.

-Whilst my review of the very excellent first issue of the Nova relaunch is here. I loved this, very much The Last Starfighter, crossed with the horror of being trapped in a small town back Glee had in its early, best years, and superheroic punching.

Kill Shakespeare is a fascinating book exploring what happens when Shakespeare’s characters are all real, all worship him and go to war…The third volume, Tide of Blood, has just started and my review of the first issue is here.




-They Go Bump by David Barr Kirtley is a very clever, subtle, hideous story about invisibility. Actually it’s about three different levels of invisibility; the invisibility of individual identity in the military, the invisibility of the lower ranks to the upper as anything other than a deployable asset and the invisibility offered by an experimental piece of technology. It’s a nasty, fun piece of work and I narrate it here.

-Paolo Bacigalupi’s The Tamarisk Hunter is a story I’ve actually seen the genesis of first hand. I’ve seen Tamarisks in Texas, know what they do to the soil, and having spent four months in California know how delicately balanced it’s ecosystem is. The story’s a fascinating, bleak piece of near future environmental SF and I introduce it here.

-Michael Swanwick’s The Very Pulse Of The Machine is either tragic, hopeful, or a little of both. It’s a hard SF disaster story with a head dose of neo spiritualism and optimism to it and it’s one of my favorite stories of his. I introduce it here.


-Marc Laidlaw wrote the Half Life games, all of them and I’m delighted to see that he’s clearly used the hundreds of hours of my life I willingly paid that experience to create some fantastic short fiction too. Episode 319-Cell Call, is one of my favorite episodes of all time, a wonderfully constructed, utterly chilling look at what happens when you pass through the looking glass and don’t even know.

-Matt Wall provided the second story for February, with episode 320-The Man With The Broken Soul. A considered, measured, terrifying look at the consequences of splintering a human soul, and the immortality that comes with it, it was read with typical authority by Elie Hirschman.

Episode 321-I Am The Box, The Box Is Me by Kyle S. Johnson is a slow burn stream of consciousness piece that speaks to both the stains left by trauma and a particularly horrible version of the afterlife. It’s a difficult piece but stick with it, it’s more than worth it.

Episode 322-Cry Room by Ted Kosmatka is one of my favorite stories. Ever. Ted draws a subtle knife of implication and horror across social expectation and the daily grind of looking after a family to create a story which, like the Cry Room itself, is exactly what you bring to it. It’s hopeful, horrific and utterly brilliant.


So that was February, where I lost a couple of days to illness and grind. It’s okay, I’ll make the time, and words, back up and there are a few holdovers that should land in March, with luck:

-Various SFX blog pieces

-Several roleplaying projects

-Two more introductions to books.

-A short story. I got commissioned for. Seriously.


Oh and I mentioned the book, right?


The Pseudopod Tapes Volume 1 is a collection of all the writing I did for Pseudopod in 2012, revised and expanded. You won’t hear me ask for donations, won’t her me use the words Creativecommonsattributionnoncommercialnoderivativeslicence which I’ve now said so often they just become one. No, none of that. Instead you’ll get;

-A discussion of the cross medium fictional geography of Gotham City

-Pieces of history, personal and global.

-Why climbing is a bit like meditation.

-Discussions on horror, personal and fictional.

-A single piece of flash fiction.

-The 2012 Halloween Parade

-Answers to the 2012 Halloween Parade


And loads of other stuff. I’m really proud of this book and I’ve been deeply honored by how well it’s been received. So if you fancy it it’s available in print or ebook form. Adele and the crew at Fox Spirit along with superlative cover artist SL Johnson did amazing work, as did the nice people that put it on cake for the launch party. See? The cake was NEVER a lie.


See you…actually in about a week. These articles are INSANE, even collating them as I go, so I’m going to try weekly roundups instead. So, check back in seven days for Chapter 1 of All The Words I Wrote In March! Shorter! Faster! More explosions! Probably not actually but definitely the first two!

Want to talk to me about the article? Got something you need written?  Come see me on Twitter at @alasdairstuart or email me.


What I Did In December 2012

Okay there was clearly sleeping and eating and Christmas, and visiting my parents (Which was lovely) and having a cold (Which was less lovely) but NONE.THE.LESS. this is what I did in December and the people I did it for.


-Blogbusters  only made one appearance this month, but it was a doozy, looking at the Naughty and Nice lists for genre fiction for 2012.

-I reviewed the wonderful Behind the Sofa, a collection of short essays by celebrities about their favorite Doctor Who memories. It’s a fantastic book, with proceeds going to Alzheimer’s Research and the review is one of the pieces I’m proudest of this year.

-My old friend Scott Harrison has a very well deserved and rapidly burgeoning career as a short fiction editor and an audio drama writer. He’s written the second of Big Finish’s excellent Confessions of Dorian Gray (Starring Alexander Vlahos, fans of Merlin!) series and I reviewed it here. It’s not, despite the frantic points-scoring in the comments, an unnecessary sequel (Although I would watch the SHIT out of The Mayor Of Casterbridge 2: The Final Battle), but rather the second in a series of short audio plays about Dorian Gray making his way through his endless centuries of decadent, beautiful, empty life. Scott nailed this, and it was a pleasure to review. I’ll be looking at Resurrection Engines, the steampunk take on classic literature anthology he edited, in the new year.

-The last year has been marked by a sudden and very welcome upswing in paranormal police fiction, with Ben Aaronovitch’s excellent Rivers of London series, Paul Cornell’s highly acclaimed London Falling (I’m sure it’s great I’ve just not had time to read it yet) and the graphic novel release of Gordon Rennie and Tiernen Trevellion‘s excellent Absalom. An aging, charmingly decrepit copper who worked with the best including Charlie Barlow and Jack Regan (The first not the second, at least so far…), Absalom runs a team which helps keep the uneasy peace between London and Hell. Steeped in the history of the city, crammed full of great dialogue and ideas and cheerfully horrible, I loved this. Now if we can just get the rest of Caballistics Inc collected…

Professor Elemental is a steampunk British rapper. Oh and he has a comic. And it’s as brilliant as he is, which is to say rather a lot. Here’s my review of it.

-Whilst IDW continue to do great work with the Doctor Who comics, the UK-based Doctor Who Magazine have been doing them for a lot longer.Wider in scope, far more prepared to mess with the status quo as a result and frequently brilliant (The Iron Legion is still the stuff of my favorite nightmares) they’re one of the very few gems of Who fiction that remain largely hidden. I reviewed The Child of Time, a collection of the first few 11th Doctor strips and Jonathan Morris‘ first work on the character here, and it’s fantastic.

Ecko Rising, Danie Ware‘s debut novel, does the near-impossible; making heroic fantasy interesting and grounded at the same time as avoiding sliding into the muddy booted slog that a lot of pseudo-Game of Thrones books become. It’s a stunning book, made all the more so by the fact it’s a debut, and I interviewed Danie here.

Juliet E.Mckenna has been doing the near-impossible for a while now, with her Einarinn series of linked series mapping a fascinating, politically driven fantasy world into existence. They’re a stunning ongoing achievement and I interviewed Julie about them here.

-When I was about 15, the first Batman/Judge Dredd crossover came out and it was the single most muscular, flexed, teeth-bared comic I’d ever read. It still is, and I was delighted to see it and the three sequels collected in a nice hardback edition. I reviewed it here. I didn’t flex throughout writing the review. But I was tempted.

-I also contributed to the 25 Movies of the Year piece, getting to show some love for Sinister and Hotel Transylvania.

There’s some other stuff pending for SFX, including a couple of reviews and a look at some great small press work but this is what’s up right now.


-I didn’t so much consult on this excellent piece Brendon put together about the Star Trek Into Darkness teaser as endless watch the thing over a period of a couple of days and then provide a tiny insight into one thing. By the way, Brendon’s trailer breakdowns are extraordinary, go read this one, on Oblivion. You’ll learn stuff. Good stuff. I did.

-Thanks to him, I also got to do a little pictorial archaeology, when a series of Kevin Eastman sketches for an abandoned fourth live action Teenage Mutant Ninja Turtles movie surfaced. They’re…let’s say muscular, but I had a lot of fun speculating as to what the plot of the movie would have been. Someone in the comments suggested it was going to be based on the After the Bomb RPG background and I can certainly see that.

-I also interviewed the heroic creative team on Amelia Cole and the Unknown World. I love Monkeybrain Comics‘ entire line but Amelia Cole is the standout for me and it was a pleasure to talk to the entire team, at length, about their experience on volume 1 of the book and what’s in it’s future.



It’s all go in Escape Artists Towers this month, and I’ll talk about why in…(checks watch)…about a week. In the meantime, our stories for December were fantastic, with the month kicing off with Episode 311: Flashes on the Borderlands XIV: Resistance! Flashes is our regular collection of flash stories and this was a corker, with Matthew Acheson‘s No Further (Read by my dad no less! Hello father!) followed by Jayne Chant’s The Conchie and Henry Lu’s Bitter Tea & Braided Hair. I’m very fond of Flashes, and it’s often one of our strongest features but this one is something special.

Hunter James Martin‘s chilling Feeding the Machine was episode 312, a story about work, drudgery, slavery and freedom and the point where all four meet. This is one of my favorites of the year and it’s the sort of story horror is uniquely equipped to provide, combining something relatively mundane with the fantastic to chilling effect.

Episode 313:The Dead Sexton is a J.Sheridan Le Fanu story, which, as some of you have probably already worked out, means getting hold of the author’s PayPal details proved a little…tricky. It’s an excellent piece, published in 1871 and steeped in regional dialect, set in the Lake District town Le Fanu invented of Golden Friars. It’s also an absolute beast to read so Shawn very sensibly approached my Dad again. My grandfather was from the region, so my Dad knew enough of the dialect to get by but it was still a hell of a challenge and he did fantastically well. Go have a listen, it’s a very different piece to what we normally run and a fascinating example of how horror has changed over the last century.

Episode 314 hasn’t been released just yet but you can read the outro for it early in the BOOK I HAD PUBLISHED THIS MONTH! YAAAAAY! (KERMIT ARMS)


The Pseudopod Tapes Volume 1 is a collection of all the writing I did for Pseudopod this year. Every outro I did is in there, revised and expanded so you don’t need to have just read or listened to the story to get them, and there’s also a collection of all the closing quotes and the answers to this year’s Halloween Parade. It’s available in print or ebook form and it’s something I’m incredibly proud of. One of the things I’ve always felt is a problem with my work is I never actually bloody finish it and this is a real thing, torn from my head and dragged into print by the fine people of Fox Spirit and my own hand. I love it to tiny pieces. And isn’t the cover by SL Johnson lovely? Delicious on cake too…


So if saying if you have left over vouchers from Amazon or you’re a fan? Give it a try.


That was (most of) December. Next up? Next year…



Want to talk to me about the article? Come see me on Twitter at @alasdairstuart or email me.

DC Day 1-Demon Knights Issue 1


It’s not often that you get to sit in on the start of a universe. This month, DC Comics have relaunched their entire line, scrapping every book and restarting most with new first issues and a new status quo established by Flashpoint, the last massive, universe spanning crossover. It’s a standard narrative model with comics and one which I both encountered and learned to fear time and time again during my time as a retailer. Crossovers killed momentum in individual series, they rarely had lasting consequences and a lot of the time they turned people off buying the extra issues until, due to a vagary of the comic industry too tedious to explain, it was far too late for us to get them.


The New 52, as they’re being called, looks to be a little different. The central titles are all there, of course, but there’s another wave of books which are odder, more eccentric, deliberately experimental. I’ve read most of the flagship books so far and all the odder ones and it’s a fascinating, not to say remarkably consistent, piece of world building from the ground up. Whether it’ll stick, or indeed if any of the most interesting books are still alive in seven months time, I have no idea. I do know it’s been a fascinating ride so far, especially with those outer edge,more eccentric books.


Demon Knights is one half of a pair of linked books, both written by Paul Cornell. Set four centuries in the past it opens with the fall of Camelot and neatly explores what several of the DC Universe’s more supernatural characters were doing on that day. Cornell uses the fall of Camelot as a backdrop, a fulcrum around which several characters seize opportunities or find opportunities seized from them. The most interesting of these is Jason Blood, reimagined as a hapless apprentice of Merlin who not only sees the long game but happens to have a demon, Etrigan, caged for just such an occasion. Jason and Etrigan are fused and Merlin disappears, muttering about how this will all become clear centuries from now. It’s an obvious point to make given his pedigree with the show but there’s something of Doctor Who to Cornell’s portrayal of Merlin, particularly the 7th Doctor and his combination of polite, quiet, erratic charm and terrifying strategic mind. Camelot has fallen, Camelot will rise again and Merlin may have just ensured that it does. It’s an interesting take, simultaneously echoing the Nicol Williamson and Joseph Fiennes takes on the character and producing something which, although glimpsed briefly, is fascinating. It’s a nice approach to Blood’s origin too, explaining his longevity and showing how he evolves over time, coming to terms with the monster he shares space with.


Cornell really comes into his own over the next few pages though, as Madame Xanadu, another supernatural DC mainstay, opts to stay in England rather than sail off to Avalon. The portrayal of Arthur’s heroic death is typically impressive but Xanadu’s ‘Oh SOD this’ as she jumps overboard not only grounds it but honours it. The King is dead but everyone else isn’t, and Xanadu’s decision to stay looks to be an important part of the book’s overall plot.


In a gutsy move, that plot then picks up some time later with Jason and Xan on the outskirts of the village of Little Spring. Some time has clearly passed and the two have an easy, comfortable banter that walks the reader through the introductions of the rest of the cast. The splendidly named Vandal Savage, a villain in modern DC continuity is a large and charmingly up front barbarian whilst Sir Ystin, last seen in Grant Morrison’s 7 Soldiers of Victory series,is neatly repositioned here as a slightly andogynous drunk, pining after the fall of his version of Camelot. They’re joined by Exoristos, an Amazon and Al Jabr, an Arabian craftsman in a sequence which not only sets up the group status quo elegantly but also sets them in the gloriously traditional setting of an inn. Here, Cornell plays with the traditions of the tabletop roleplaying group and modules that started with ‘You all meet up in a bar’ and turns it into something easy to follow, but still complex and nuanced. By using this traditional setting, Cornell marries his cast of established characters and newcomers to create something that feels organic straight , even before the arrival of the central villainess and the two big surprises concealed in this issue. The first is that Xanadu is in a relationship with Etrigan, not Jason Blood, and Jason remains unaware of it whilst the second is that the villainess may not be so villainous at all. The Questing Queen is a glorious idea, a monarch who strides across the land with an army of slaves on dinosaur mounts and gives every impression of being evil. Yet, she talks about repairing the world, rather than conquering it. There are early hints this is a book as much about clashing ideologies as it is about a medieval demon punching dinosaurs in the face and I honestly can’t think of a writer better able to balance the two than Cornell. Only time, and sales, will tell if he’s going to be given the opportunity to do it.


Demon Knights is easily one of the strangest books to be launched in The New 52, but it’s also one of the best. Cornell’s script is tight, funny and incident and idea heavy whilst Diogenes Neves’ pencils, backed up by Oclair Albert’s inks ground the book in a believable medieval context, even if that context is heavily fictionalised and involves dinosaurs. This is smart, tightly paced and designed pop culture storytelling and all involved should be very proud. If you haven’t picked it up yet, you’re curious about the new DC Universe, or if you like the idea of knights fighting dinosaurs, start here, you won’t be disappointed.


Demon Knights Issue 1 is available now